February 16, 2010

EMMA - Field Research 12

The original 'Realism' in painting has become famous because of a few schools that taught Realist methods.

The Realists (1800 - 1899)
This is a group of international artists in Paris which begin to devise new methods of pictorial representation. They are focused on scientific concepts of vision and the study of optical effects of light. The Realists express both a taste for democracy and rejection of the inherent old artistic tradition. The Realists felt that painters should work from the life round them. Indisputable honest, the Realists desecrated rules of artistic propriety with their new realistic portrayals of modern life. Artists: Marie Rosalie Bonheur, John Singleton Copley, Gustave Courbet, Honoré Daumier, Hilaire Germain Edgar Degas, Thomas Eakins, Ignace Henri Theodore Fantin-Latour, Wilhelm Leibl, Edouard Manet.

Barbizon School (1840s - 1850s)
Barbizon School was a group of French landscape artists one of first formed outside the Academy. They were named after the Forest of Fonteblau near the village of Barbizon where they got away from the revolutionary Paris to produce their art. They attempted to paint nature directly; Constable who pioneered in making landscape painting a faithful depiction of nature was their model.
The Barbizon painters helped establish landscape and motif of country life as vital subjects for French artists. They also cherished an interest in visible reality, which became increasingly important to the later artistic styles. Artists in the group: Camille Corot, Charles-François Daubigny, Jean-François Millet, Pierre-Etienne-Théodore Rousseau.

The Pre-Raphaelite Brotherhood (1848 - late 19th Century)
In 1848 a group of English painters, poets and critics formed the Pre-Raphaelite Brotherhood to reform art by rejecting practices of contemporary academic British Art. They have been considered the first avant-garde movement in art. They accepted the doctrine of imitation of nature, as central purpose of art. Instead of the Raphaelesque conventions taught at the Royal Academy, their central doctrine was that artists should seek to represent the natural world. They believed that the only great art was before high renaissance, before Raphael. He was representative of the time when painters would scarify the reality of the subject to their own ideals of beauty and morality. The Pre-Raphaelite Brothers condemned this art of idealization, and promoted works based on real landscapes and models, and paid intense attention to accuracy of detail and color. They advocated as well a moral approach to art, in keeping with a long British tradition established by Hogarth. The combination of didacticism and realism characterized the first phase of the movement. The landscape compositions were painted outdoors, what was an innovative approach at the time.
The interest in the Middle Ages inaugurated the second, unofficial phase of Pre-Raphaelitism. Their subject matters were from medieval tales, bible stories, classical mythology, and nature. With technique of bright colors on a white background, they achieved great depth and brilliance. However, we can see now the curve from their immature rebelliousness, through the realistic painting of detail without idealization, to works of art that are finally more surreal than real. Their work cannot be realistic with the mythological matter and medieval tales that they chose - they can only be envisioned in the mind and do not exist outside of there. So they ended up closer to some other art rebellions - Symbolists.

French Realism:


Gustave Courbet


Honoré Daumier


Gustave Doré

Jean-François Millet
Rosa Bonheur
Jean-Baptiste-Camille Corot
Charles-Francois Daubigny
Pierre-Etienne-Theodore Rousseau
Ignace Henri Theodore Fantin-Latour
Edouard Manet
Edgar Degas
J. Dalou

British - PRB:


Sir Lawrence Alma-Tadema


Dante Gabriel Rossetti


John William Waterhouse

William Holman Hunt
Thomas Woolner
John Everett Millais
William Morris
Edward Burne-Jones
Ford Madox Brown
Arthur Hughes
Henry Wallis
Frank Cowper
Simeon Solomon
Evelyn de Morgan

German Realism:


Georg von Dillis

Wilhelm von Kobell
Friedrich Wasmann
Friedrich von Amerling
Ferdinand Georg Waldmuller
Franz Kruger
Carl Blechen
Adolf Menzel

American Realism:


Thomas Eakins

Winslow Homer
Francis Coates Jones
James Abbott McNeill Whistler
Thomas Pollock Anshutz
Augustus St. Gaudens - sculptor

No comments:

Post a Comment